Change is a good thing

I have never been gifted with telling the future but there is one certainty that confronts each of us, things change. The changes that have been happening in the world of publishing over the last five years have thrown hopes and expectations into the air and we are all still waiting for them to land. We are coming to terms with new technology. Any advance has positive and negative implications for those working in the industry but the movement towards digital self-publishing has changed things in a way no-one anticipated. There is a great deal of discussion around the relevance of publishing houses in this new brave world. Things change.

Insecurity often makes people feel that they have to make a decision, take a stand, have a firm opinion. We like to know what we know, you know. 

Well, I know one thing. I fully support any and all means of championing the written word. We need more writing of a good quality. Traditional publishers have always been driven by the bottom line to produce work which will sell to the masses. Often the sale of such works supports the development of more literary projects. I doubt this will change. Self publishing will produce a vast quantity of lower quality work it is true but it will also give an opportunity to the gifted to produce breathtaking work of literary beauty without having to rely on a publisher’s previous sales of Diary of the Stig part 2.

Low or lower quality work is no threat to the publishing industry and those authors who produce excellent work will earn their stripes before submitting to publishing houses. Editors will include the banner headline ” Why aren’t you selling? ” on their websites and the world will continue to turn. Wordsmiths will continue to produce the words. We monkeys will make magic.

Sometimes it’s good to remember that no matter how big the change the important things stay the same.

Lie to me

Isn’t that the basic premise of fiction? I spend all of my days writing about people who don’t do the things I say and certainly aren’t in the places I mention. Usually they aren’t even real people. In fact I am a great big “Liar liar pants on fire” most of the time.

The funny thing is that amongst all the fibs, of which there are many, the thing I am searching for is the truth. The truth of what it means to be human. The truth and mechanics of relationships. To engage a reader in a story you have to find the spark of recognition, the place where a reader realises yes I know this, I have lived this, this man is like me.

In order to get to that place your writing has to remain true to your character.  Are you trying to make a person behave in a way they simply wouldn’t? Does it ring true? You see people really don’t step outside their normal range of behaviour unless they are placed in extreme circumstances and even then it is unusual.

So figure out what your character’s usual reactions would be and then you will know if you step outside them. If you are going there, do it with purpose and conviction. There are times when you can use this fact to advantage but it must be with a character your audience knows very well and I think possibly several books into a series just to shake up the pace. Part of the truth behind people is that we do things for certain reasons; sometimes we don’t know the reason, sometimes we have some insight. We are complicated and understanding and using complicated characters to get to the truth is just about the highest goal of literary fiction.

So Lie to me, I want to know the truth.

Column is a Funny word

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If you are sitting in front of your computer screen and regardless of the reassuring absence of underline a word simply looks wrong then one of two things is happening to you.

1. You are finally really looking at a word you have taken horribly for granted since you were five.

2. Brain Freeze

The correct response to either of these situations is to do the dishes. This blog post may or may not be directed to my teenage offspring.

Dead White Males

I assume that you read. Writers read right?

I have found a surprising reluctance in many of my friends and colleagues to visit the pen-smiths of the past. I agree that many of the works written in the 19th century are so far removed from modern journalistic style that they seem to represent a different species rather than a different time. The 20th century brings long descriptive passages and worthiness doesn’t it? Don’t ever assume that you know a writer’s work on reputation alone. Dickens!

If you make assumptions about literature then you run the risk of missing out on those writers and passages of prose that sing with you. Sometimes you find literary joy in the strangest of places.

My personal discovery this year was Proust. I’m not a literary snob, I read everything including shampoo bottles and cereal packets but I had assumed that Proust was probably not for me.

( Assumptions, pah!)

I approached the first tome of “La recherche du temps perdu ” in trepidation.

I found literary description that you could bathe in. Proust sings with me.

Now, not everyone you read will click with you. That isn’t a deficiency in their writing or in your understanding, that is just the joy of difference. Go out into the world and find those writers who   ” Sing with you “. and you will gain more than you ever thought possible.

Oh, and the occasional Dead White Male will be a Woman.