Tag Archives: literary

Like Me!

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It seems recently that never a day goes by without an email or a direct message from an Artist or a Writer begging me to like them.

Apparently it’s irrelevant whether or not I even know them, or their work. And the question of whether I actually like what they do is, well, that was never on the table was it. You see, no one is asking for my personal opinion ( It’s a shame, I have good opinions. ) What people are actually asking is for me to give them more visibility in the market place so that they can sell what they do.

 I have no objection to people selling what they do. In fact I’m all for it. I sell what I do for heaven’s sake. But I’m not sure anyone’s career can be greatly assisted by a lie, however well intentioned. 

Before anyone gets hugely upset let me just say that I don’t ever ask anyone to validate anything of mine. You don’t have to like it unless you like it. And I don’t assume that I will dislike what people do, I am charmingly non-committal until I have read a thing. If Facebook swaps is how you work then it is how you work but please remember that this is false data. It is a manufactured marketing tool and  not opinion. The numbers will go up and down based on the hours spent rather than quality of your work. There will be times when you write something wonderful and you don’t get the “likes” you are looking for. Don’t be disheartened. The numbers are a fiction. We are writers. We understand fiction.

The other despairing communication I get is that “Nobody is following me.”

That is an easy one.

What are you doing for them?

People are busy. People have complicated, wonderful, disorganised lives. But people will follow you if you give them something they want. What are you giving them? Some people write a weekly book review. Some people provide pictures of beautiful Art. Some pictures of funny cats. Some provide intelligent comment. Some provide silly comment. It doesn’t matter what it is, you will find a niche market, but it has to be consistent and people need to know what you do.

If they truly LIKE you, they will follow.

So decide what you provide.

 

Who Am I?

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I’m a writer currently living in Middle England. I am taking time this year to write a collection of twelve short stories.
I have a great and very patient Editor. I hold an Honours Degree in Applied Human Psychology and I tend not to talk about myself very much mostly because I put all the interesting things on the page, and when you have done that what is there left to say?
I read a great deal and widely. I’m currently listening to a lecture series on Plato’s Republic because, well, I haven’t before. I think it’s important to always be learning and growing.
I enjoy writing and I try to make each piece better than the last.

What would you think?

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What would you think if I sang out of tune? Would you stand up and walk out on me?  

(Beatles – A little Help from my Friends)

There are days when we write and everything seems to come together clearly and concisely. We answer our own questions, we meet our job specs, and then we meet our deadlines. It’s all very simple. Then of course we have the days when every passage of prose is discordant and jangling. We know that it’s wrong and yet we can’t see where it’s wrong. Our hands are typing a song that our brain isn’t singing. One of those days.

Any Creative can tell you stories of those days. Some people get them on a weekly basis, others go for long periods of creativity and then hit a drought. The point is that having a period of drought doesn’t make you a bad writer or a poor artist. It just makes you a writer or an artist. A creative drought will always end, unless you stop creating. So you write bad stuff, who hasn’t? So your portrait looks like a horse? Maybe rework it before showing the client but hey (hay), now you can paint a horse.

What would we do if you sang out of tune?

 We would all join in.

I’ve been there so often I can do the harmonies.

 

 

 

The Mirror of the Soul

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We are a reflective bunch.

I could make all sorts of word associations here regarding the mirrored surface of a writer’s soul. I could suggest that we reflect the world back at the world, and that this is why  people both love and hate novelists. I could play with the idea of refraction and suggest to you that it is the fractured nature of our psyche that makes us shine just that little bit brighter than the average person. I could, but I won’t. 

What I really mean is that we think,

a lot.

It’s an occupational hazard for a writer. Heck, we would be thinking if we weren’t writing, but we choose to exorcise our demons in ink, and really the world should be grateful that we are so easily pacified, because we have such a lot to say. We express ourselves silently and with extreme force. It’s who we are. It is also why writers who aren’t writing tear themselves apart. We pull everything apart to look at the workings, and if that energy isn’t directed outwards then there is only one other place for it to go.

Writers need to write, we should write and we have to write.

So please writers, write.

 

 

 

Lost your Voice?

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When you first start editing your own work you might check your spelling, grammar and punctuation, but some of the first questions that your Editor will ask involve Voice and tone. What exactly do they mean by Voice and tone?

It really is very simple. Just think about your own voice, your speaking voice, barring infirmity or accident we all have one and it is uniquely ours. I imagine that family members can tell you from a relative by voice alone. We recognise each other by voice and our voice can tell the world a great deal about us. Where were we born? Have we travelled? What about education, class, ambition? We all make assumptions about those based on voice. That is our speaking voice.

Now imagine your Writing voice. It is just as uniquely yours and it tells the world about you but instead of pitch and lilt we talk about language choice and phrasing. Your writing voice is the expression of your personality on the page and we make the same assumptions about personality and upbringing from grammatical and language choices.

Now consider Tone. We are all used to the idea of tone of voice and none of us would consider using the same tone with a toddler and with our bank manager. The tone of our voice needs to be appropriate to the situation whether we are speaking or writing. This is why a seasoned editor might raise a question mark over the tone of your writing.

Things become more complex when you introduce characters into your writing. Each of these characters will have a Voice and during the course of your writing several tones. It is the job of the Editor to make sure that the Voices of your characters remain consistent throughout your work. To make sure that they do not slip. Any voice slippage should be marked on your manuscript for correction.

Voice slippage is a very common error in even the most seasoned writer’s work. It usually simply means that instead of responding or writing as our character we have become involved in our work and are writing as ourselves. Easily done.

So as you see, there is no mystery to Voice and a good editor is there to make sure that you never lose yours.

 

 

 

 

How to Write

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There are a  multitude of books available on the subject ‘How to write’ and a plethora of courses available, all promising to show you the secrets, give you an outline, throw you a rope when you are drowning in words. Many of these are well written, well thought out and helpful, but sometimes they seem to subtly miss the mark for us. We have a head full of theories, plans, guidelines and confusion.

You see, courses and books can give you a very clear idea about how other people write and have written, but what no teacher will admit off the bat is that they have no idea how you are going to do it. Writing is a journey, one we all take in a different direction. Before we set out we need to fill our backpack with three things

1) Words – dictionary, thesaurus, experience of reading a great deal

2) Grammar – an understanding of how the words fit together.

3) Punctuation – knowledge about how we signpost meaning.

These are the essentials. We all need these. Without these we are trekking the Himalayas in our swimwear. 

Next we need the useful items:

Map of the terrain – an idea of the structure of a novel, short story,  article, essay

Travel guide – a description of journeys by past explorers. How did other writers write?

And finally we need the things that make life more enjoyable:

Chocolate – or your treat of choice

Bug Spray – for the Fear bug, which swarms on a scale from nervous tension – sheer terror. If you have no spray then hit them with a slipper, newspaper, pop song.

All packed? Good. Now you are ready to explore. Some of us will be an Amundsen, Columbus or Magellan and some of us will be Dora, and that’s fine. The journey is our own. We make it ourselves and each discovery is as exciting regardless of who we are. Be yourself and forge your own path and before long you will have a page in the Travel guide.

Watch out for the Self-editing Tar-pits and

Happy Trails!

    

Procrastination

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Time is a limited resource.

I can hear you cry that you know, and anyway look how busy you are.

Well of course you are. You are very important; one of the cogs that turn the wheel that makes the wossname work. I am not suggesting lack of drive or effort, I am just pondering on those times when we get in our own way. 

I file. I like to file. I have binders and dividers and sticky notes and coloured highlighters. Filing is fun. I know how to do it. I’ve mastered the alphabet so ordering is a piece of cake. It’s all practical, useful, neat and I can find stuff, but

It isn’t Writing.

You see my Procrastination style is – Organiser

 

There are several Procrastination styles available and in a wide variety of colours, such as the

Socialiser – Unable to spend long periods of time alone, the socialiser will spend a couple of extra minutes on every phone call, answer every query and every doorbell and then complain that no-one leaves them alone to get anything done, while they book a dinner meeting because who wants to eat alone, right?

 Awareness will help you to overcome your procrastination style and be more time efficient. The insidious thing about procrastination is that we mostly choose things which look useful and in fact are even necessary in small doses,

Now excuse me while I file this Blog post…where are the P’s?

Tune-up

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The English language has built over time and has rules of construction; just as any other builder has to follow a code, the writer should be able to don their hard hat and survey their handiwork. Kick the foundations and see if it wobbles.

In order to do this effectively the writer needs a good and up to date understanding of the rules. I recommend a yearly tune-up with a good grammar.

Of course, there are times when the correct use of grammar is simply incorrect, such as when we represent everyday speech.
Speech follows a whole different set of social rules,

Ya get me blud?

No one said you have to follow the rules all the time but it’s more fun to break them what you know are there.

Confidence

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Writing can be a very lonely profession. I am not for one moment suggesting that writers are friendless or that we live a hermit-like existence on coffee and cheese sandwiches, but much of our working day is of necessity spent inside our own heads. The trouble with spending a great deal of time with ourselves is that we think. We are our nation’s thinkers after all.

What happens if you give a world class thinker nothing but themselves to think about? Self-reflection, insecurity, and boozy Monday mornings, that’s what!

So, how do we avoid the negativity trap? Well, it has a great deal to do with the difference between Egotism and Confidence. Egotism can be defined as the drive to maintain and enhance favourable views of oneself, and generally features an inflated sense of self importance. Confidence on the other hand is the feeling or belief that one can rely on someone or something; firm trust.

Egotism is emotional toddlerhood – Confidence is emotional adulthood

Egotism always seeks the I and the me. Confidence is always certain of the I and the me and is looking out for the you. We all walk this emotional tightrope. Some days the toddler wins but it helps if you are aware that it is there throwing the mother of all tantrums and you learn not to listen to the ‘I can’t’, ‘They didn’t’, ‘I don’t want to’.

Confidence comes with knowing what you can do for other people. Perhaps you excel at magazine articles, technical papers or short stories. Perhaps you write copy for a website or advertising. Every small success working for the pleasure of other  people will bring you increased confidence.

No amount of success working solely for your own benefit will silence the toddler. You need to learn to grow up and walk away.

And so do I.