Tag Archives: writer’s

In the write mood

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Today has been a tricky day. Most of my days toddle along quietly and simply enough. I have my routines and I know them. I have my children’s schedule and I follow it. With a slim margin for error I get most people to most places most of the time. Today was different. Today I slept in.

Now most of my family are alarm clock enabled, some of them have several alarms on several electronic devices, and yet I was running from room to room this morning throwing bananas (read breakfast) at moving targets to the war cry

” You can finish dressing in the car! “

To cut a long story short everyone arrived and a frazzled me sat down at my laptop and stared at a screen as blank as my imagination. I really wasn’t in the mood. I could have just walked away and considered the day a non-starter, but I didn’t. Instead I wrote about my awful morning and how frustrated I was getting everyone to the right place. I wrote about my less than stellar waitressing ability and my lack of imagination. In fact I wrote to you.

And now my page is no longer blank and my imagination is no longer empty. I am going to sit and produce my daily word count with a happy heart. So Thank you!

I wonder if there are any bananas left.

 

 

Social Media

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Today I have been pondering the vagaries of Twitter, Facebook and social media in general.

I have come to the conclusion that targeted advertising can be a very good thing if it is targeted well. We receive so much information on a daily basis. I for one receive a huge number of requests and suggestions about what to read. I would love to read everything but I have to be honest here and say that I am very unlikely to read most of it. Heck, I’m a writer. I haven’t even managed to read all my own work.

So, why do we writers advertise to other writers? Why do we collect them?

 The answer to that question is that “Bird’s of a feather flock together” we really do. We like to see how things are going in the writing world. We like to glean ideas and to be able to judge ourselves against some imagined chart of success. We are nosy. We also want to feel part of a gang. That is a perfectly normal and wonderful thing and balm to the soul when you are sitting in a darkened room with your fifth coffee and another first draft. We simply need to remember that these are our people and not our audience. Of course we are all pretty happy to bump up each others Twitter “followship” that goes without saying.

Successful PR is targeted PR. Every so often we should check our strategy to see whether we are putting our work in front of the right people; the people before you who will buy and not just the people behind you, who will back you all the way.

Lie to me

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Isn’t that the basic premise of fiction? I spend all of my days writing about people who don’t do the things I say and certainly aren’t in the places I mention. Usually they aren’t even real people. In fact I am a great big “Liar liar pants on fire” most of the time.

The funny thing is that amongst all the fibs, of which there are many, the thing I am searching for is the truth. The truth of what it means to be human. The truth and mechanics of relationships. To engage a reader in a story you have to find the spark of recognition, the place where a reader realises yes I know this, I have lived this, this man is like me.

In order to get to that place your writing has to remain true to your character.  Are you trying to make a person behave in a way they simply wouldn’t? Does it ring true? You see people really don’t step outside their normal range of behaviour unless they are placed in extreme circumstances and even then it is unusual.

So figure out what your character’s usual reactions would be and then you will know if you step outside them. If you are going there, do it with purpose and conviction. There are times when you can use this fact to advantage but it must be with a character your audience knows very well and I think possibly several books into a series just to shake up the pace. Part of the truth behind people is that we do things for certain reasons; sometimes we don’t know the reason, sometimes we have some insight. We are complicated and understanding and using complicated characters to get to the truth is just about the highest goal of literary fiction.

So Lie to me, I want to know the truth.

Crime Time

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I am writing a Thriller. The first draft of a thriller is an exciting time for me because I want to know how it ends as much as the next person. In reality I can be pretty far into the whole process before the resolution comes to me. I have my characters centre stage and I am looking them over, pondering their desires and their secrets. I’m playing out their reactions in my mind and always, always finding a way to make things even more difficult for my hero. Bless him.

Mind you, I think that a good thriller should end with the cast iron belief therapy is required. I have to point out here that we are talking about my belief. He, as he’s are wont, believes no such thing. He’s fine. It’s all fine.

” O, from this time forth, My thoughts be bloody, or be nothing worth! “

Hamlet ( 4.4.65-6)

 

Dark Side

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” In the real dark night of the soul it is always three o’clock in the morning.”

F.Scott Fitzgerald

 

Everybody has dark days. We all have times when we question ourselves and our world. We strive for more and we feel that life is holding out on the good stuff, keeping it tantalisingly out of reach; the bunch of grapes that grace an Aesop’s fable.

It is a cruel trick of life that in finding the darkness we feel alone. We are never alone. If we could muster the strength to reach out a hand into the night we would find that we are standing shoulder to shoulder like a pottery army, facing the same questions and the same fears. The darkness is a universal experience. So is the light.

Writers have a trick for dealing with the darkness. We pick the bones. We pick them clean. You see, nothing of our experience is ever lost. Everything is learning. Everything is growing. We take experience and in the darkness we form words, restless over the surface of the waters until one day…

Let there be Light.

So, if you are standing in the darkness be assured that you are surrounded by companions and in the darkness we grow.

Dead White Males

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I assume that you read. Writers read right?

I have found a surprising reluctance in many of my friends and colleagues to visit the pen-smiths of the past. I agree that many of the works written in the 19th century are so far removed from modern journalistic style that they seem to represent a different species rather than a different time. The 20th century brings long descriptive passages and worthiness doesn’t it? Don’t ever assume that you know a writer’s work on reputation alone. Dickens!

If you make assumptions about literature then you run the risk of missing out on those writers and passages of prose that sing with you. Sometimes you find literary joy in the strangest of places.

My personal discovery this year was Proust. I’m not a literary snob, I read everything including shampoo bottles and cereal packets but I had assumed that Proust was probably not for me.

( Assumptions, pah!)

I approached the first tome of “La recherche du temps perdu ” in trepidation.

I found literary description that you could bathe in. Proust sings with me.

Now, not everyone you read will click with you. That isn’t a deficiency in their writing or in your understanding, that is just the joy of difference. Go out into the world and find those writers who   ” Sing with you “. and you will gain more than you ever thought possible.

Oh, and the occasional Dead White Male will be a Woman.

The Illustrated Man

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I am currently re-reading The Illustrated Man by Ray Bradbury.
It’s a book that I recommend to every writer.
It is a collection of masterful short stories held together by an eerie overarching narrative. It’s by turns engaging and disturbing. Something for everyone.

” The sun was gone. Now the first stars were shining and the moon had brightened the fields of grass and wheat. Still the Illustrated man’s pictures glowed like charcoals in the half light, like scattered rubies and emeralds, with Rouault colours and Picasso colours and long pressed out El Greco bodies.
“So people fire me when my pictures move. They don’t like it when violent things happen in my illustrations…”

We don’t talk anymore

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No, not you and me.

I’m thinking about the writer and their subconscious.

The funny thing is that everyone has one and we pay it very little attention until it plays up. A little like the hazard warning light on the car.
Are you and your subconscious on speaking terms? If you aren’t then you will struggle to write and eventually grind to a page fearing halt.
Writer’s Block anyone?

So, how do I keep my subconscious happy?

(a) Read – Good stuff in, good stuff out.

(b) Resolve any emotional issues where possible. Forgive the guy next door for throwing the hedge clippings over the fence, forgive your mother for that awkward conversation with her best friend’s daughter, forgive yourself for Chocolate Tuesday.
I am not talking about the huge stuff that needs counselling and a 50 minute hour but life’s irritations. Just let them go. It’s not worth it.
The bird that pooped on your car is feeling better because it pooped and not worse because you are cross about it.

(c) Listen to yourself. If you are struggling to write then there may be an issue with what you are writing. Are you trying to make a character behave in a way that he/she wouldn’t.

(d) Sometimes the subconscious calls a time out because it has something else it wants to say. Leave the piece you are writing and work on a short story. Maybe write a poem or a song. When your subconscious has had its say it will let you work on your current piece.

(e) You are playing Deadline Chicken. Trust me, whichever of you blinks first it won’t be pretty.
Tell yourself that you are not writing the piece. This is not writing the piece, this is just making a list of things I would put into it if I was writing it…which I’m not.
Once you have a basic outline expand it until you have a framework. Then write a little piece for each element of the framework.
Look. Almost a piece of work but not a piece of work.
You should now be able to convince yourself that writing the copy is child’s play. It’s nearly done look.

(f) Problems pass. You won’t always struggle. Everyone struggles. Everyone has blank days and prolific days. People who succeed at writing work on the bad days and don’t sweat it.