So, where can I put a comma?

The comma is quite an expressive punctuation mark and is governed by a set of fairly complicated rules or guidelines. One of the most accessible descriptions of its use can be found in Perfect Punctuation by Stephen Curtis.

The comma acts as both a linker and a separator.

Commas are used to link the items in lists of words. phrases and clauses of the same type, usually replacing and. If the comma cannot be replaced by and, it is in the wrong place.

There are two systems for using commas in lists: A, B and C and A, B, and C. The final comma in the second system is called the ‘serial comma’.

Commas also link subordinate clauses to main clauses.

Commas acting as separators generally work in pairs, except when they are placed at the beginning or end of a sentence.

They also mark off sentence adverbs.

Commas are not used with defining relative clauses ( those in which the subject of the clause is one of a number of people or things of the same type).

Commas are used with non-defining relative clauses (where the subject has already been identified and the clause gives additional information).

Commas are used when you put the name of the person or people you are speaking to into your sentence.

It is easy to misuse commas but just as easy to use them effectively to get your exact meaning across.

 As usual this list of guidelines can seem a little confusing but in practical terms the comma is usually used to ensure clarity of meaning. It is possible to use very few commas in short sentences, if the meaning is still clear. In these situations it is grammatically correct to use the comma but not necessary; you have a choice. Punctuation and phrasing choices are part of what give a writer his unique style. The purpose of punctuation, in all cases, is to signpost meaning. It is up to the writer to decide how to construct his work.
If you find the grammar a little confusing then I suggest a look at Perfect Punctuation (Stephen Curtis,Random House). He gives clear examples of each punctuation mark and the places where you may use them if you choose.
Happy Punctuating.

Why is Writing so Difficult?

Once you have mastered the alphabet, grasped the grammar and practised punctuation; listened, learned, read and re-read, writing should be easy, shouldn’t it?  As a writer you have the tools, you have the texts and you have the time, and yet writing is difficult. It is elusive, sometimes you catch it and sometimes you don’t, that elusive Muse. 

Let me reassure you that you are far from crazy, and everyone who has ever attempted to write anything longer than a limerick has shared your experience. Sometimes we have all the skills and we don’t know what to say. The Muse is elusive. That is why it is incredibly important to be ready for it. Have paper or a keyboard, have a pen or pencil, have a working knowledge of your language or several, know what constitutes the correct form for articles, essays, novels, blog posts; be prepared.

Be prepared for the Wrestle, because make no mistake there will be a battle between the Muse and the You. Sometimes the Muse will want to inspire us and the You will refuse to comply because, well people may not like what we do. On the other hand they might like what we do, and want another one, and we may not be able to produce another one because the muse is elusive. We really get in our own way when things are worthwhile.

Let me tell you a truth that holds for every writer this planet has ever produced.

There is never a wasted word.

Nothing you produce is ever wasted, even if it is poor in quality. How do you think writers get to the good stuff? We keep creating the words until we make some with merit and even those we polish.

Be prepared. Show up. Keep creating.

And when You pronounce yourself, not good enough, not correct, not worth listening to, channel your inner sulky teenager with a hearty

“Yeah, Whatever.”

and

Be prepared. Show up. Keep creating.

Writing is Difficult. The Muse is elusive, but we all know the answer to that don’t we?

Be….

 

 

Lost your Voice?

When you first start editing your own work you might check your spelling, grammar and punctuation, but some of the first questions that your Editor will ask involve Voice and tone. What exactly do they mean by Voice and tone?

It really is very simple. Just think about your own voice, your speaking voice, barring infirmity or accident we all have one and it is uniquely ours. I imagine that family members can tell you from a relative by voice alone. We recognise each other by voice and our voice can tell the world a great deal about us. Where were we born? Have we travelled? What about education, class, ambition? We all make assumptions about those based on voice. That is our speaking voice.

Now imagine your Writing voice. It is just as uniquely yours and it tells the world about you but instead of pitch and lilt we talk about language choice and phrasing. Your writing voice is the expression of your personality on the page and we make the same assumptions about personality and upbringing from grammatical and language choices.

Now consider Tone. We are all used to the idea of tone of voice and none of us would consider using the same tone with a toddler and with our bank manager. The tone of our voice needs to be appropriate to the situation whether we are speaking or writing. This is why a seasoned editor might raise a question mark over the tone of your writing.

Things become more complex when you introduce characters into your writing. Each of these characters will have a Voice and during the course of your writing several tones. It is the job of the Editor to make sure that the Voices of your characters remain consistent throughout your work. To make sure that they do not slip. Any voice slippage should be marked on your manuscript for correction.

Voice slippage is a very common error in even the most seasoned writer’s work. It usually simply means that instead of responding or writing as our character we have become involved in our work and are writing as ourselves. Easily done.

So as you see, there is no mystery to Voice and a good editor is there to make sure that you never lose yours.

 

 

 

 

The Wind blows through it

So here you are again sitting in front of your computer screen, fingers poised for action and…

nothing.

Zip.

Nada.

What do you do when the muse has left the building and all you can hear is the breeze, wafting through the roomy emptiness of your mind? 

Easy. You write about the writers’ block. We have trained for this moment. You have powers of description to rival a literary superman. Just go to it and do it. If you are still struggling to form a sentence, and who doesn’t from time to time, then you need to break out the big guns.

Adverb Amnesty!

Tell the world that you are quickly, happily, joyously, expeditiously, theoretically, honestly and finally breaking through the wall of wordlessness and you defy anyone to stop you. Trust me, any more than 40 adverbs in any one piece of writing and you will scare the most truculent subconscious into submission. If you keep writing the wall will dissolve and leave you breathless but working. 

Of course if you carry the adverbage into your functional piece of prose then you need to step away from the computer and take a long hard look at yourself. What’s that all about?